Pedacería is the first of four exhibitions composed from a personal collection of objects that once had a useful stage, but were destined for oblivion and rescued by Sergio Heredia. This repurpose creates a new discourse within Galería La Esperanza, in the form of a very simple landscape: a basaltic stone from a piece by Pierre Huyghe that floated in an aquatic sculpture where blind fishes lived and a security mirror that was part of”Mantric Mutation” by Gunilla Klingberg.
The exhibition is also complemented by three other pieces hidden along General Antonio León. Two of these pieces are different ¨dreams,¨ which were secretly exposed without permission at the Tamayo Museum. These dreams also form part of an exhibition called “Loose Laces.” Loose Laces is the first chapter of a book written from dream logs in which I have been working for about ten years. The third piece is a tent and a pair of tennis shoes with moss, which in the future will become a dress for a performance (the date and place are not yet defined).
* These last three pieces will only be exposed on the day of the exhibition opening.